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KOR Protocol is an onchain clearinghouse for creative assets, designed to verify information about works, connect them with commercial demand, and settle payments among creators and other participants. Built on Base, it focuses on rights-aware transactions for entertainment and AI-native workflows, using asset records, licensing terms, and stablecoin payments rather than operating its own blockchain. KOR Foundation launched the protocol on May 7, 2024, and it was founded by Inder Phull.[1][2][5]
KOR functions as a clearinghouse layer for recording creative assets and their rights-related information, connecting that information to potential commercial use, and settling transactions. It is deployed on Base and uses existing blockchain infrastructure rather than operating its own chain.[1]
The protocol is organized around Verify, Settle, and Route. Its current release focuses on Verify and Settle, while Route—the engine intended to match verified assets with demand—remains in development.[1]
KOR’s positioning has evolved from music metaverse and non-fungible token (NFT) projects toward intellectual-property infrastructure and an AI-focused clearinghouse. In a May 28, 2026, post, the KOR Team described the project as an “AI Clearing House” intended to help artists, platforms, rights holders, and partners coordinate what has been created, where it should go, and how resulting value should move.[4][3]
KOR Foundation announced the launch of KOR Protocol on May 7, 2024.[5] On October 12, 2024, KOR Protocol’s official X account was reported to have been compromised and to have posted phishing tweets.[6]
KOR describes its protocol as an onchain clearinghouse, not a blockchain: it uses existing chains and does not operate sequencer or validator infrastructure. Its current deployment is on Base, which KOR selected for its transaction finality and low costs, access to Coinbase’s user base, native USDC support, and compatibility with standards and account-abstraction tools. KOR says this provides a common settlement rail for agents paying creators in different locations.[1]
The protocol is organized around three engines:
Four core primitives support the current Verify and Settle functions. IP Assets register works—including music, video, images, and code—with an onchain identifier and an attestation graph initially seeded with an ownership claim. Token-Bound Accounts, using ERC-6551, give each asset its own wallet to hold assets, receive payments, and execute transactions; KOR distinguishes these accounts from creators’ personal wallets. Licensing attaches permitted uses, conditions, and prices to intellectual property, with terms enforced by code. Royalty Distribution divides income according to rules set in advance; splits can be updated through attestations as commercial relationships change.[1]
The technical roadmap lists ERC-721 asset identifiers and ERC-6551 token-bound accounts as live. ERC-8004 agent identity and reputation, x402 HTTP-native stablecoin payments, and ERC-7683 cross-chain intents are listed as coming; the technical documentation also describes ERC-8004 and x402 as part of the planned development of agent-based routing and payments.[1] [4]
KOR says the protocol layer—including its registry, attestation graph, settlement contracts, and licensing—is permissionless and open to builders. Its products use that infrastructure to register assets, attach provenance information, integrate licensing, or settle transactions.[1]
MEXC reported that it had not identified complete public audit reports for KOR’s core smart contracts.[4]
KOR’s product suite includes applications for music creation, artist operations, creator communities, and social-media content:
KOR has also described an artist-fan collaboration model with Beatport in which licensed music stems become “Artist DNA” for fans to remix and own, while artists retain control and participate in the resulting value.[2]
KOR identifies creators, labels and publishers, agencies and multi-channel networks, platforms, and AI agents as intended users. Their stated needs include establishing asset provenance, managing catalog rights, settling brand deals across markets, obtaining verified intellectual property for platform use, and licensing content through automated transactions.[1]
In making the case for a clearinghouse, KOR’s May 2026 post cited Deezer’s reports that it received almost 75,000 AI-generated tracks daily—about 44% of its daily uploads—and that AI-generated music accounted for 1–3% of streams on its platform, with 85% of those streams detected as fraudulent and demonetized. The post also cited global recorded-music revenue of $31.7 billion in 2025, its eleventh consecutive year of growth, with streaming accounting for nearly 70% of recorded-music income.[3]
MEXC reported that KOR was listed and trading on November 4, 2026.[7][4] MEXC described proposed token utilities including access to advanced analytics and paid features, possible fee discounts, staking by validators, curators, or agent operators, and votes on protocol standards, fee structures, and incentive-fund allocation. These are proposed functions; the available technical materials do not document them as live protocol features. Royalties are settled in stablecoins, and the technical materials do not assign KOR a role in the royalty module.[4][1]
MEXC described allocation categories including Community Access, Liquidity, Marketing, Ecosystem, Foundation, and team and investors.[4]
In July 2025, Camp Network acquired a stake in KOR Protocol and announced a partnership that included plans to integrate KOR’s KORUS remix tool. The planned remix packs featured works from Imogen Heap, mau5trap, Plastikman/Richie Hawtin, and Beatport.[8]
MEXC reported that KOR announced a $7.5 million Series A on July 7, 2026, at a stated company valuation of $100 million. The round included 1kx and Blockchain Capital; other named investors and backers included Republic Crypto, Animoca Brands, Sfermion, Alumni Ventures, and SevenX.[4]
KOR was founded by Inder Phull, who previously co-founded Pixelynx, a music and gaming venture later acquired by Animoca Brands. The KOR Team describes Phull as having more than a decade of experience across music, entertainment, gaming, and blockchain, and says he has helped build projects with Black Mirror, Beatport, mau5trap, Pioneer DJ, and Spinnin’ Records. It also reports that he has raised and generated more than $40 million through investments and revenue during his career.[3]
MEXC reported that Ritty Quin was appointed chief executive officer in late 2025.[4]
An onchain registration records submitted information and provides an asset identifier and history, but it does not independently establish that the registrant legally owns the work. KOR’s own technical design depends on an initial ownership claim, while MEXC noted that legal rights may be divided—for example, between a song’s sound recording and composition—and can vary by jurisdiction.[1][4]
MEXC also identified the unfinished Route Engine as a constraint on KOR’s ability to connect registered assets with buyers and partners. It raised questions about whether major entertainment-industry participants would delegate commercial matching to a token-based network, and said KOR had not disclosed protocol payment volume. The analysis cautioned that sign-ups may include multiple reward-farming accounts and that KOR’s reported gross revenue does not by itself establish demand for protocol settlement.[4]
MEXC further questioned how commercial activity would accrue value to KOR’s token, noting that the described royalty system uses stablecoins and that the token materials it reviewed did not describe a buyback or burn mechanism.[4]